“If we could remember our life in the mother’s womb, it should be seen as a supremely pleasurable experience in the aquatic environment. The enigmatic world outside mother is reachable only via sound vibrations that travel through the amniotic fluid surrounding us, the amniotic sac and the layers of the mother’s body,” she says in the sound work that also lends the show its title, and which ends with: “The paradise was lost, once the time had come to part from the Nirvana-like existence and to open up to the wholly new territory of experience and adaptation. However, the memory of prenatal life stays inside our body, it is written in every cell that developed inside and grew with us.”
Viktorija Rybakova (b. 1989) is an independent artist, architect and researcher from Lithuania. Her research practice combines the academic and artistic fields, with her main focus being the human body and history. Rybakova is currently working on research in the field of neuroscience , the history of eroticism and decoding the languages we speak through a thorough exploration of the body tissues. After concluding a fellowship at Jan Van Eyck Academie in 2017, she moved to Brussels, where she runs studio laumes, an art, design and research atelier, together with Goda Budvytyte.
The exhibition is part of the main programme of the 17th Tallinn Print Triennial and is co-organised by the Foundation Tallinn Print Triennial and Tallinn Art Hall.