Veermäe’s detective work makes abundant use of videos. Despite lacking material weight, it has little in common with conceptual art. Rather, his activities resemble a test of strength with a reality that is both total and difficult to interpret. Such a reality provides no alternatives for parallel existences, which the viewer senses acutely. The anxiety felt by visitors who dive into Veermäe’s installations could be caused by a premonition of a future where the individual initiates, intermediates or completes nothing. Or with a similar fear of venturing into the past, where pre-civilizational tribal cave drawings tell an eerie story of uniting with power rather than being an artistic statement.